A new design, slightly retro in feel, and very suited to a contemporary garden.

A pair of wrought iron chairs in a late Regency style.  Only one pair made.

This is a re-working of an old design. The chair folds and has a separate removable sun canopy.

A face to face chair in the Gothic style, sometimes with a centre arm.

One of a pair of Gothic seats in a curved shape to suit a parterre.

A five arch version of the Gothic Bench with wheels to one end and a folding foot rest. Properly known as a Games Seat.

Thistleback bench, curved version, one of a pair made for the Chelsea Flower Show 2007.

A seat made to fit around a tree, and in the shape of a cobweb.  The back is kept to a simple low upcurve so as not to detract from the web effect.  Made from a half-round profile steel stock and painted a light silvery blue-grey, this seat has a very elegant and unimposing air. 

A Cobweb Tree Seat fitted in position and painted in estate colour of Prussian Blue.

This is a brand new design, just about to go into low volume production.  Inspired by the skeletal designs of the early Space-age, the chair has a simple but elegant form, with no more structure than is required for function or interest. Initially the Planet chair will be finished in industrial powder-coat, probably in colours such as Light Aircraft Grey, which suits the design well, but any colour can be specified. 

A very unusual Wardian case for growing sensitive and rare plants like orchids and ferns.  All of the glass in this case was re-cut from nineteenth century sash windows, and has a beauty of it's own.  Access is by double doors to the front, or by the simple removal of the back panel from it's sprung clips.  Lined with zinc in the bottom, allowing for a good depth of growing medium, or for a collection of pots.  Old clay pots would look best, and we can usually supply these too.

A small water meadow footbridge, with gates at each end. Wrought iron and oak.
First made in 2008, this bridge was almost immediately copied and offered in a range of sizes a company in the UK, who tried to pass it off as their own work.

A single plank oak footbridge, wedge shaped to deter livestock.

A small bridge of iron reeds in the Art Nouveau style.

A footbridge in the Victorian railway style.

A wrought iron Gothic style bridge with steps up to a flat deck.

A Regency style footbridge in wrought iron with cast iron detail.

Based on an old French design but larger than the original with a 34 inch diameter top, which tilts vertically when not in use. Available in any colour or with a patinated zinc, aluminium or copper top.

Zinc top, patinated and polished.  Many colours and effects can be achieved on zinc sheet, from almost black to reds, purples and bluey greys. With aluminium, the tops are corroded and then polished back to a shine, leaving hundreds of tiny dark pits and spots, and can be made to look genuinely old.   Waxing them with a good product means these tables can be left outside, and will only improve in appearance with time.

A simply constructed small wine or cafe table, with a choice of top material.  Aluminium or Zinc, patinated and polished, or painted same as table frame.  Inexpensive, stylish and durable.

A variation on the Sputnik type one, with a smaller waist gathered into a ring. The top is aluminium, either painted or patinated & polished. Approximately twenty inches in diameter, but can be larger.

A Larger version of the Sputnik Table with 4 legs. Approximately one metre across, suitable for four chairs.

A very large chandelier made entirely from reclaimed 18th Century wrought iron. The two tiers of candles alternate between sockets for the smaller candles, and prickets for the larger. With gilded ornamental detail to reflect the light, and a pulley system to raise and lower the chandelier for lighting.

A large hand-made rimlock, in solid brass over a steel case.  Although this lock appears to be old, it incorporates a five lever high security mechanism, with a secondary lock which blanks the keyhole, effectively making it impossible to pick.

A mediaeval type chest lock.  Authentic detailing and construction, including anti-burst guards to the hasp. Forged from reclaimed ancient wrought iron and coloured & patinated to a convincing aged finish.

A seventeenth century style spring-loaded casement latch.